Representations of Love in Much Ado About Nothing

Explore representations of hunch for fightd in Much stir roughly null In Much Ado slightly naught, Shakespeare substance abuses literary structures such as double and opposites in order to emphasise the bring ins main homes and ideas. McEachern claims It is undoubtedly the most soci ally and psychologically realistic of his comedies, in its delineation of the foibles generosities of communal life. (McEachern, 2006, 1) One main theme I want to explore is ac inhabitledge and how Shakespeare represents this in Much Ado About Nothing. The dickens main genres in Shakespeares dramas are tragedy and comedy.Tragedy invariably ends in death and comedy eer ends in a marriage. Although Much Ado inevitably ends in marriage, it differs from some of Shakespeares opposite amorous comedies as his other comedies usually portray hit the hay in a often more unreal way. Much Ado About Nothing is best known for the tonic war between wizard of its dickens couples, and an oxymoron could as soundly as describe this comedys identity as a whole. Shakespeare offers a play of light and dark, of romantic sodality wrested from fear and malice and of social consonance soothing the savagery of psychic violence (McEachern, 2006, 1)In act as 1 characterizationry 1, strike Pedro, prince of Arragon arrives with his bastard brother Don John, and his two friends Claudio and benedict. It is in this Act that Beatrice and benedict prototypicalborn meet and the war of wits begin. Leonato states There is a kind of merry war betwixt Signior benedict and her Beatrice they never meet barely there is a skirmish of wit between them. (Much Ado, Act 1 nip 1, 520) Although their speech communication look rather hateful to one a nonher, at the same time it may also come across as flirtatious.Before Beatrice even meets Benedick, she expresses her distaste for him, however, she negotiation about him in such gravid depth it is almost more want an obsession than hatred . Benedick teases Beatrice by aspect I am fared of all ladies, only you excepted and I would I could bring out it in my discloset that I had not a hard heart for, truly, I love none. (Act 1 stage setting 1, 521) to which Beatrice replies A dear happiness to women they would else have been troubled with a pernicious suitor.I give away thanks God and my cold blood, I am of your humour for that I had rather hear my dog bark at a crow than a man commit he loves me (Act 1 Scene 1, 521) By using the characters of Beatrice and Benedick, Shakespeare mocks the customary type of love, romantic love, which is expressed by wedge and Claudio. This is also an example of how Shakespeare uses doubles in his play, as he uses the two couples to express two types of love. One being more realistic, that of Beatrice and Benedick, and the other being the more unrealistic, over the crystallise romantic love expressed by maven and Claudio.Even though the biz is largely based on gun for hire and Claudios relationship, the humourous banter and plain unromantic relationship between Beatrice and Benedick seems overmuch more interesting to the reviewer and we are more interested in how their relationship will develop. It is this relationship that seems much more believable compared to Claudio and Heros fairytale love at first sight. It is through contrasting these two varied types of love and through the as shielded use of language that Shakespeare can mock the conventional romantic love. Claudio uses a totally different style of language to Benedick when they both speak of love.Benedick is highly distrustful and negative about love where as Claudio is more pretentious and elaborate when he speaks about Hero, for example when he says whoremonger the world buy such a Jewel? (Act 1 scene 1, 522). This language is completely different to the way that benedick speaks to Beatrice as the first thing he says to her is My dear Lady disdain ar you yet living? (Act 1 scene 1, 521) Benedick also speaks of his frustration of Claudios eloquent language when speaking of love as he states He was use speak plain and to the purpose, like an open man and a soldierhis wrangle are a rattling fantastical banquet, just so many conflicting dishes. (Act 1 Scene 3, 529) This however is quite hypocritical of him as in Act 4 Scene 1, Benedick confesses his love for Beatrice and states I do love postal code in the world so well as you is that not strange? (Act 4, Scene 1, 541) to which Beatrice responds I love you with so much of my heart, that none is left to protest (Act 4, scene 1, 541) This shows how dramatically their relationship has changed as the witty banter and insults have turned into confessions of love for one another.It is often difficult to visit and accept the love between Hero and Claudio as it is so unrealistic. They fall in love with each other before they even truly get to know one-another, which therefore makes their love and marriage seem quite false and shallow. The fact that Claudio does not question Don John when he professes that Hero has been unfaithful, yet instead believes his watchword to be true, questions whether the love he has for Hero is sincere.Surely Claudio would confront his future wife before coming to any sort of conclusion, however, even her own father believes this to be true and states why she, oh she is fallen/ into a pit of ink, that the wide sea/ hath drops excessively few to wash her clean again,/ and salinity too little, which may season give/ to her foul tainted flash (Act 4 Scene 1, 540) Another aspect of the play that makes Hero and Claudios love very unrealistic is heros willingness to discharge Claudio after his bold accusations of her infidelity.If his love for her was as strong and powerful as he made out, he would be more trusting of Hero in the first place. However, she seems to disregard this and does not question his behaviour, but instead is willing to carry on with the marr iage. Bibliography McEachern,Claire. Much Ado About Nothing. 2006. the Arden Shakespeare Shakespeare, W. The hump Works of William Shakespeare. 1996. Wordsworth Editions Limited