The Pearl Literary Essay

But in the song there was a secret curt inner song, just perceptible, but always there, sweet and secret and clinging, almost hiding in the counter-melody and this was the song of the tusk that might be, for every shell thrown in the basket might contain a osseous tissue (Steinbeck 17). This is some issue that might evermore deceive us, because of its sweet counter-melody. This is the deception of m atomic number 53y. It still happens today- people confuse coin with power, because in some way, m stary can lead to power, and its non always a good thing.Money is not the answer to everything, as it can serve to entrance people, confusing them between what they value they want, and what they really do want or need. In the book The Pearl by John Steinbeck, gum kino became blinded by the tabooside sheen of the beading. The shell was partly open, for the overhang protected this antediluvian oyster, and in the lip- the like muscle kino proverb a ghostly gleam, and then(prenomin al) the shell closed down (Steinbeck 18).This ghostly gleam is the power of the drop cloth, and it started to delude gum kino little by little, starting from the point of where he had first seen the drop-off to where it had personify him something very dear to him- his son, Coyotito. kino originally saw the pearl as a practical method to improve his and his familys life, however later, he saw it precisely as a method of survival, and in the end, Coyotito dies because of this. single at the end had kino gum relieve oneselfd the power of the pearl, but this actualization was of no help at the end, as everything was done. Money really is not everything, and in kino gums case, it had caused death.Take the lottery, for instance. Everyone wants to win the lottery- the chance to win it big and be rich, and not fix to ac sleep withledge tight and counting every single penny. If you shoot the jackpot, you could simply live off the interest and not have to perplex about a single thing. Now, applying this to The Pearl, Kino and Juana had basically energy they lived in a hut that had a dirt floor, and this hut could have been finished in one strong gust of wind. Their house would have been pursy away, and then what? And its not only them who live that way. Members of their unblemished residential district live just as Kino does, and they be just as content.Their village of La Paz was all pretty much dirt poor, and if even one of its members hit it big, it would represent a huge thing for their entire wellbeing. With the pearl, Kino saw not only wealth, but a healthy and roaring future, specially for Coyotito. It would have also been a big event for the entire village. The thing is, Kino only saw these things done the pearl. What does that bastardly? It pith that he wasnt able to see a happy future for him and his family without the pearl. What does that mean? It actor that without the pearl, they were still basically nothing. But Kinos face shone with prophecy. My son ordain read and open the books, and my son will write and will know writing. And my son will make numbers, and these things will make us forgive because he will know he will know and through him we will know (Steinbeck 26). Through him we will know, Kino says this, and when he says this, he means that only through Coyotito can they know. Doesnt that represent a LOT for them and the community? What if these things did not in fact produce to pass? Then they would have to start over, and live with these times of incognizance playing over and over in their heads.There is a lot hanging on the pearl- its either all or nothing. Thats what the pearl seemed to represent, and in the end, they got nothing. Coyotito was a large part of their life, and what they wanted from the pearl had a lot to do with him. This time, they would have to start over without Coyotito. And also, this would especially hurt Kino. Even if nothing particularly dreadful came to pass, Kino would likely feel horrible about his ignorance and how he got his and his familys hopes up- all for nothing. He would realize how the pearl had deluded him until this moment, and would live in embarrassment for the rest of his life. In the pearl he saw how they were dressed- Juana in a shawl stiff with in the alto pull backherness and a new skirt, and from under the long skirt Kino could see that she wore shoes. It was in the pearl- the notion growing there. He himself was dressed in new white clothes, and he carried a new hat- not of straw but of fine dingy felt- and he too wore shoes- not sandals but shoes that laced. But Coyotito- he was the one- he wore a blue sailor suit from the United States and a little yachting cap such as Kino had seen at one time when a pleasure boat put into the estuary.All of these things Kino saw in the lucent pearl and he said, We will have new clothes. (Steinbeck 24). These wishes atomic number 18 material wishes, wanting(p) new clothes, and wanti ng to be married. To think, the first thing to want to do when you get rich is to get married and get new clothes. Doesnt that inform us, the reader, of Kino and Juanas current monetary situation? These things, wanting new clothes, wanting to get married, wanting their son to go to school.. these ar all things that he would not be able to do without the pearl, and these ar things that most likely all of their village people could not do.And then, cheeseparing the end, Kinos instincts change rapidly from human like to animal like, living only on his instincts and guts. Against the sky in the cave entrance Juana could see that Kino was taking off his white clothes, for dirty and ragged though they were they would figure up against the dark night. His own brown skin was better rampart for him (Steinbeck 83). Camouflaging, not exactly something that we would all worry about on a daily basis. The fact that Kino takes what he wears into account against the enemy is something to think about, and it really shows how his instincts change.At this point, survival was the only thing he worried about. And lastly, Kino had not taken Juanas warning about the pearl earlier. Juana had seen through the pearl- it had not deceived her. Evil faces peered from it into his eyes, and he saw the light of burning. And in the surface of the pearl he saw the frantic eyes of the man in the pool. And in the surface of the pearl he saw Coyotito lying in the little cave with the top of his head shot away. And the pearl was gly it was gray like a malignant growth. And Kino heard the music of the pearl, distorted and frantic (Steinbeck 89).This shows that only at the end had he realized the actual sort of the pearl. It had the power to enrich their lives and it also had the power to destroy what was important to them, and Kino had only seen the possible good outcomes of the pearl, and had hence been blinded. And by saying that he had been blinded does not mean that he had lost his sight rather that everything else had gone over his head, or rather, in one ear and out the other. He paid no heed to any possible meritless outcomes with the pearl, and basically walked around with his eyes closed.We can all relate, but this is what the pearl had done to him, and realizing all of this at the end would not help. Coyotito had died, and there was nothing Kino could do to bring him or anything else back. His ignorance had cost him everything. The quote with which this canvass had begun had basically summed up what Kino saw in this pearl- he saw a sweet outer and all of these wonderful prospects that could have come with the pearl, and also how he failed to see the potential risks. The pearl represented money and evil and greed and all of the things that people today still are oblivious to.Monetary troubles back then are still evident now, and Kino made a wrong turn that most, if not all of us had or will take some day. However, our mistakes might not cost so much as Kino s in return for Kinos wrong turn, he lost his son, Coyotito, and instead gained a lifetime of guilt and regret. He himself changed, and not many of us would say that he changed for the better. In fact, no one can say if he changed for the worse, either. And the music of the pearl drifted to a rustle and disappeared (Steinbeck 90).